Tuesday, October 27, 2020

Battery Journal Publishing

Onward into the new year! 2021
 
BATTERY JOURNAL
Uni-Verse Poetry - Prints - Proofs by Visionary Humans
Editor-in-chief Anna Ehrsam
 
I'm thrilled to be part of the new edition of BATTERY JOURNAL.
Anna Ehrsan's razor-sharp eye, and ideas in science, art +culture is
not be missed.  

Co-edited and organized by Anna Ehrsam and Katherine Jackson.

They are scheduling more readings, studio visits, and other events 

through the winter and into the spring. Please contact Anna or Katherine 

to schedule an event.

Uni-Verse Poetry - Prints - Proofs by Visionary Humans unites the poems and visual art of 82 contemporary artists to create a portrait of diversity, multiplicity, and oneness. 

 


 
Mary Ann Strandell, Hudson Yards Black with Kimono,
3D Lenticular Media, 20” x 14”, 2019 @maryannstrandell

 
 
 
 
 
 
  










Open Book. Anna Ehrsam on left; Standell on right, and you tube     .      
LINK to You Tube Zoom Salon with Anna Ehrsam, Katherine Jackson, Gennifer Levey and the writers and artists.



New York, NEW YORK, September 20, 2020 – In times of crisis, art and poetry provide philosophical and spiritual insights, catharsis, and healing. For millennia, artists and poets have been the visionaries whose work possesses the power to capture the full range of human experience, from the horrors of war to the ecstasy of transcendent love. The vision behind this collection is to create a vast wealth of powerful expression that is both deeply enmeshed in the specificity of history and at the same time, an enduring, crucial, human constant. The artists and poets chosen for this book create an intersectional, multi-generational poesis, from David Ferry, who is 96, to Adelaide Holden, 6. Each poem is paired with a visual work, creating an interweaving of human witness that grows exponentially as the book progresses. This is a book to return to over and over, not always starting at the beginning, but finding new vibrant pathways through its proliferating interconnections.

Some of the poets and artists in the book are Tom Sleigh, Rosanna Warren, Rowan Ricardo Phillips, Gail Mazur, Alan Shapiro, Roger Bonair-Agard, Elaine Equi, Mel Chin, Deborah Kass, Susan Bee, Michael Joaquin Grey, and Michael Rees.

Following are comments about the book: 

“This book is a joy, a rare marvel, a true feast for the senses.” – Rowan Ricardo Phillips, poet, author of Living Weapon, 2013 Whiting Award winner, and professor at Williams College

“Many spreads in this volume embody Lawrence Ferlinghetti’s belief that ‘as long as there is poetry, there will be an unknown, as long as there is an unknown there will be poetry,’ by pairing works of art and poetry that at first look may be unknowable, but create synergy that stole my consonants: “Ooooh!” The oldest and youngest poets bounce off each other eloquently—96-year-old David Ferry, National Book Award winner, paints a stark evocation of a Walker Evans photograph, while Grace MacNair so accurately describes ‘The starlings—/out-swung in sheets’ in ‘The Shape of Air.’ Go spend good time with this volume, as it artfully makes the unknown more knowable.” – Tina Kelley, poet, author of Rise Wildly, and winner of a 2003 Washington State Book Award and a staff Pulitzer Prize at The New York Times

Tuesday, October 20, 2020

Bemis Exhibition and Auction

The 2020 Bemis Exhibition and Auction

October 1 - 30th 2020

The Bemis Center For Conteemporary Art
724 S. 12th Street, Omaha, NE

Check out my new work for the auction:
"Woodman Tower Construction Transit"
3D Lenticular Media, w acrylic 
42 x32" 2020  (framed)
 
Mary Ann Strandell,



 
Art statement;
Every time I venture to Omaha, I search for the tower
marked WOODMAN. The urban core surrounds it.
It was more indelible after Alexander Payne's, About Schmidt.
The construction site rendered in ink, of the1971 structure 
is embedded into the layers of this 3d Lenticular Media. It is 
part of a long line of works that envelope my interest in unfolding 
the views of the subtext, the bones of time. There is memory 
imbued within the bones of the building, the place, the architecture 
that in and of itself has veracity. These time-drawings arc to reel
in the strength of what is becoming,  before our societal 
eyes have shaped it. There is a second construction site in the work. 
It is the famous World War I memorial in Kansas City.
My rendering of it reveals the inner construction, built in 1926. 
There are five additional tower buildings within the framework 
of this lenticular. Two of them are cell towers within the city 
limits of Omaha. These many drawings reverberate within the
mapping and geometric forms that interweave a nuanced grid. 
The optical lense surface of the lenticular allows the many layers 
to activate with the viewer's movement.
   

 View The Artwork at Bemis Auction

BUY IT NOW till OCT 24. OCT 24 - 30 ON-LINE BIDDING

LINK - RSVP  Free and Open To All. RSVP required to recieve Zoom lofin details